Patsy
PATSY
A Novel
NICOLE DENNIS-BENN
LIVERIGHT PUBLISHING CORPORATION
A Division of W. W. Norton & Company
Independent Publishers Since 1923
New York London
In memory of the unsung stories of undocumented immigrants
in search of trees with branches.
“Maybe home is somewhere I’m going
and have never been before.”
WARSAN SHIRE
Book I
BIRDIE (1998)
1
JUST TWO YEARS SHY OF THIRTY, PATSY HAS NOTHING TO SHOW for it besides the flimsy brown envelope that she uses to shade herself from the white-hot glare of the sun. The envelope contains all her papers—from birth certificate to vaccination records. But most importantly, it carries her dream, a dream every Jamaican of a certain social ranking shares: boarding an airplane to America. For the destination, and for the ability to fly.
So when Patsy got the second opportunity to interview at the U.S. Embassy, she went. She hadn’t mentioned this to her family and hadn’t stopped to consider what they would think. This morning she slipped out of the house early—before Mr. Belnavis’s cock crowed, before the scent of Miss Hyacinth’s baking bread replaced the damp smell of morning, before Ras Norbert started chanting,”Believe me! Believe me not!” about gold buried in their backyard. Patsy scribbled a letter to her daughter in her best handwriting and left it next to Mama G’s Singer sewing machine in their modest two-bedroom house in Pennyfield—a working-class neighborhood contained by a hill and a gully. “Have a good day at school. Remember to look both ways before you cross the street and do not talk to strangers. Also, tell Miss Gains I will pay at the end of the month.” It wasn’t yet hot and humid when Patsy left, which made the light brown tweed blazer and olive polyester skirt that her best friend, Cicely, sent from America years ago seem like a sensible choice. Once upon a time they were too big when she tried them on, but now they fit snugly. Patsy had hung them up outside the wardrobe days before her interview to get the camphor-ball smell out the fabric, since she has never worn them. She wanted to appear confident, though when she stepped off the bus on Half-Way Tree Road she started to sweat. She stood still for a moment and looked back down the long stretch of road from which the bus came, wondering about how, when she left, her daughter simply turned on the squeaky queen-size bed they share without questioning. In the dark, as Patsy got dressed, she felt—or did she imagine it?—the eyes of the child peering at her from the bed, knowing and watchful. Patsy always dresses in the dark since she never looks in mirrors, is unimpressed with what she catches glimpses of: an average moon-shaped face, broad nose, full, down-turned lips, the way a child looks who has lost something, save for the perpetual deepened dimples in each cheek. She has eyes men compliment her on, though her large breasts upstage them, and dark brown skin that emphasizes the whites of her perfectly aligned teeth. Her hair she simply straightens with a hot comb every Sunday evening after dinner and brushes back into a tight bun with a slab of gel. When she felt Tru’s eyes this morning, she readied herself to put her index finger to the child’s lips in the dark and explain. But she didn’t have to. For Tru tends to squirm and sigh in her sleep anyway, as though she has already discovered Patsy’s betrayal. Not since Patsy hid the letters with the Brooklyn address inside a locked briefcase, which she keeps on top of the wardrobe, had she felt so dubious and guilty at once.
In the embassy line, Patsy fiddles with the small tiger’s-eye pendant around her neck—another gift from Cicely—for good luck. “Ah bought it in Chinatown. Yes, m’dear! Dem ’ave a place name suh! Dem ’ave good, good deals. When yuh come we can go together.” A liquid-like sensation shoots through Patsy’s veins underneath the tweed jacket. Though she’s early getting to the embassy, there is still a long line stretched all the way up to Knutsford Boulevard by the Jamaica Pegasus Hotel. The bright June morning is a merriment of blues, greens, and yellows. The sun is already approaching its hottest at seven o’clock, and the scents of Julie mangoes and crushed worms fill the air—remnants of last night’s shower. A flock of white, triangular birds fly south the way they do when fleeing the cold from North America.
But Patsy doesn’t pay attention to any of this. She clutches the large brown envelope under her armpit, where sweat blooms down her sides. Cicely told her to wear a suit. “Dey will tek yuh more seriously dis time.” But standing in a suit in the hot sun only makes the heat feel worse. There’s no way Patsy can take off the blazer, since the blouse underneath is soaked by now, hugging her like a wet T-shirt, too scandalous for the gaze of the Americans inside the embassy.
Aside from the few women dressed like they’re going to church on Easter Sunday, in hats and pastel-colored dresses with perspiration visible on their backs, many people, like Patsy, are dressed formally in business attire—some of the clothes borrowed, some bought, most too dark and heavy for the mocking heat. Patsy beckons a boy selling frozen bag-juice, hoping it will relieve some of the heat and maybe numb her nerves as she thinks of the questions the American will ask in the interview.
“Twenty dollah, miss-th,” the boy says with a lisp. He’s also selling whistles hung with strings around his thumb for people who, though in line to leave the island in droves, might want to join the evening celebration of the Reggae Boyz making it to the 1998 World Cup in France. Everyone in Jamaica is getting ready for the match this evening between Jamaica and Argentina. Nothing brings Jamaicans together like an international sporting event where they’ll be represented. Strangers embrace in Half-Way Tree. Gunmen lay down guns, grab barflies, kiss their proud, laughing mouths, and spin them like battling tops into the street. Young people open kitchen cupboards to fetch Dutch pots and metal spoons to bang with. In Pennyfield, men started making bets as early as last month, digging deep inside shallow pockets at Pete’s Bar, where there’s a big TV. Miss Maxine, known in the community for her cooked food, is prepared to snatch the fattest fowl from her coop to make brown-stew chicken and white rice for the occasion to sell with her special malt-liquor concoction—good for women wanting to conceive and men desiring energy, especially on a night of predicted victory.
Patsy pauses and looks at the young haggler with the bag juice and whistles around his thumb—a scrawny young man no older than sixteen in a mesh marina and a pair of knee-length shorts that don’t cover the scars on his legs. “Twenty dollah fi one bag juice?” she asks him.
“Yes miss-th.”
“Yuh t’ink people ’ave money like dat jus’ because dem inna embassy line?” Patsy asks.
The boy doesn’t respond, knowing his market. Just as he’s about to move to the next customer, Patsy says. “All right, gimme di orange.”
The boy hands her the juice and takes her money. He swiftly counts it, using his free thumb. Patsy watches him, impressed, as her mind spins and loops around the numbers. She lifts her tongue to the edge of her lips as she too counts in her head. Math was her favorite subject in school—the only subject that she excelled in. For there is nothing more certain than numbers. When the boy gives her the exact change, she tells him to keep it. It is easy to believe each penny will go toward his future; it is easy to believe he has one—that he will live out his days not selling juice and whistles, but working in someone’s bank as a senior accountant. Or owning one himself. But this moment of optimism lasts no longer than the line stretched around the corner, full of people who have discovered that certain seeds the land will not nurture. “T’ank yuh, miss-th,” the boy says, slightly bowing his head as though in resignation.
Patsy thinks of all the money she has wasted, investing in a passport and an American visa application. She was turned down two years ago with no explanation. People say it�
�s because she doesn’t own property in Jamaica. Aside from the seed money she gets from Vincent, the married businessman she sleeps with, there are no real assets she can tell the Americans she owns. “Dey tend to give you a visa if dey know yuh have assets to come back to. Dat way yuh won’t run weh fah good,” said Ramona, one of the other secretaries in a cubicle next to Patsy’s and the only one Patsy eats lunch with. “Also, dem tend to be lenient if yuh own yuh own business too,” said Sandria, the other secretary, who tends to butt her nose into people’s business, then go back to tell their boss, Miss Clark—a witch of a woman who scowls at everyone below her rank.
Pricked by the hopelessness of her situation, Patsy considers her story—one that lacks the drama inherent in, say, an asylum story, which she heard guarantees acceptance anywhere. She read in the Jamaica Observer a few months ago about the man who got chopped up with a cutlass by four men who found him in a “compromising position” behind a bush with another man. How he hauled himself, not to the hospital or police station, but to the Canadian Embassy and got a visa on the spot. “Dem funny man can mek anyt’ing ’appen. Even part di sea an’ walk ’pon wata. All dem haffi do is cry wolf,” Ramona had said, wrinkling her nose and folding the paper. Nonetheless, Patsy practices in her small cubicle at the Ministry, sitting upright in her swivel chair, legs crossed at the ankles, facing the blank wooden partition. And again, last night in her bed, lying on her back and staring up at the gaping hole of blackness in her bedroom, her daughter snoring softly beside her. “I am going to visit a friend”—simple as that, though she still lacks confidence saying it. She plans to follow it up with her rehearsed story—one that would convince them that she has no inclination of running away, because—how could she? She’d tell them that she owns land in Trelawny where she plans to build a house. (The land really belonged to Papa Joe, Mama G’s father and Patsy’s grandfather, a sugarcane farmer. He was forced to sell it to developers, who bought it for chicken feed and turned it into a stadium. Papa Joe died from a broken heart shortly afterward.) The embassy officials won’t know whether it’s true.
Most times Patsy stops herself mid-practice, worrying about being struck by lightning for lying, like Mama G always warns. But then again, Mama G has warned against other things that Patsy has disobeyed. Her whole childhood was spent with her mother at church or on street corners handing out Jesus Saves flyers and praying for “sinners” who refused flyers because they were in a hurry to work or school. Almost always Patsy would find herself repenting for sins she committed. But to lie for an American visa won’t be so bad, she reasons, since God will understand that it’s for the good of her family. She will go to America and send money home as soon as she finds work. This much is true—as her daughter’s name suggests. It’s a nickname that has stuck—a casual and spontaneous utterance when Patsy was too exhausted one day. Or was it for a whole week? A month? A year? She tends to lose count of these periods, too weak from the dark, heavy thing she cannot see but knows is always there, quiet and waiting. Mama G calls it the Devil’s cold, because it has a tendency to creep up like a thief in the middle of the night. How often has Patsy gone through periods where she feels like it’s pressing down, down on her chest? There are times when she can barely breathe because of it, much less lift the sheet to get out of bed. It was during one such spell that she willed herself to utter her daughter’s name, Trudy-Ann, which rushed out with an exhaled breath as only Tru.
Without pausing to correct herself, Patsy let the name carry on, since it drew her daughter to her anyway. She looked into her child’s large brown eyes that day. Her open moon face, which is similar to Patsy’s, lacked the earnestness of a curious toddler. When the thing finally lifted and Patsy regained her ability to breathe, she repeated the name, seeing something take shape in her daughter’s eyes. Mama G, whose head remains in the clouds, surprisingly caught on to the name as well, since to her the name sounded like the sort of name that would make the child less sinful. When the little girl began to write her own name, she spelled it as TRU—the name her school friends and teachers used, the name Pastor Kirby called her when he asked Patsy if she would send her to Sunday school like the rest of the children. “She might even learn to be a girl then,” he pressed. Only Tru’s father refuses to use the name or acknowledge it.
Patsy thinks about all this as she sucks on the cold bag juice, relieved to feel both its cooling and numbing effect. The embassy line begins to move steadily. In the shade of the palm trees Patsy pays more attention to the other people around her, wondering about their lies—how creative they might be. Take the man in a dark suit, who looks like he’s on his way to his own funeral. Like Patsy, he clutches his documents in an envelope, constantly adjusting the blue tie around his neck with the black callused fingers of a laborer, maybe a farmer. What might a man like that say to the embassy official? That he owns many acres of land? That he uses it to plant produce? That the produce doesn’t remain untouched, sitting bruised and overripe in Coronation Market, the only market where his things might sell, since his country can’t export them? Or maybe he’s going away for a few months, maybe a year, to farm, like most Jamaican farmers, who have lost the ability to profit from their own land. And then there’s the family of four behind him—a mother and her three small children. The oldest is a girl who watches her younger siblings as their mother scurries over to a food cart made of bamboo painted black, green, and yellow like the Jamaican flag. Peeled Julie mangoes and June plums dangle in transparent plastic bags from its awning. The children should be in school, Patsy thinks. What might the mother say to the embassy official? Patsy imagines the mother lifting up the two younger children for a smug-faced official to see—perhaps even handing them over like the bag of June plums to assess their worth. “See? See?” the mother might say. “All t’ree assets right ’ere.”
ONCE INSIDE, PATSY SITS AND AWAITS HER TURN, UNABLE TO revel in the reprieve of the cool air coming from the air conditioner. She feels hotter all of a sudden. People are seated next to her on plastic chairs, waiting their turn. Each time the attendant calls, “Next!” the person at the end of the front row gets up and goes to the available window. People move down accordingly, reminding Patsy of a game of musical chairs. Patsy prays that the window she gets called to will have someone nice and in a good mood. The Americans are protected behind a glass partition, their heads bowed as they take notes or review questions. Some seem distracted by things other than the person in front of them, perhaps unable to understand the patois spoken by the men and women from the rural parishes—country people who have left their villages before the crack of dawn, squeezed against vendors carrying produce to sell at the markets in town. Perhaps the Americans are equally frustrated, because no one can understand them either, especially when their t’s sound like d’s and their vowels are sawed in half, making simple words sound complicated or completely swallowed. “How many rums do ya have in the house yur building?”
A confused interviewee might respond with, “But sah, me is a Christian. Me nuh drink rum.”
Once she makes it to the final seat in the front row, Patsy overhears the interview of a middle-aged man who is dressed in a pristine white suit and powder-blue shirt, looking like he’s on his way to a banquet. “Repeat wha yuh jus’ seh, Officer. Me cyan’t hear yuh good.” The man presses the left side of his face to the glass partition, smearing it with his cheek. “Dis ah me good ears. Come again.” Patsy cannot hear the interviewer’s question, but by the look on the older man’s face—crumpled like the handkerchief that he pulls from his back pocket to wipe perspiration despite the cool air—he’s still unable to comprehend the interviewer’s question. Just then Patsy hears, “Next!”
She almost leaps out of her chair, the clack-clack of her wedge heels too loud in her ears on the concrete tiles as she hurries to the window, adjusting her blazer and steadying her hands by squeezing the brown envelope. Like Patsy, the interviewer to whom she’s assigned is on the chubby side. Not that this fa
ct eases the pressure inside her in any way. She just has a tendency to find something in common with people. Patsy doesn’t know the details of her interviewer’s face. All she knows is that it’s flushed pink by the heat and sun, which he has undoubtedly gotten a lot of in Jamaica. Even his eye color misses her as they greet, since she doesn’t dare meet his gaze. She fixes her eyes instead on the center of the man’s forehead, just like Cicely tells her to. “Americans like direct eye contact, suh mek sure it look like yuh staring dem in di eye.” Patsy notices the man’s striped shirt and khaki slacks, the color of the uniforms the schoolboys wear. She’s sure he smells like cigarettes and coffee, since American men on television, especially the detective types, like coffee and cigarettes. She can almost smell it through the glass partition that separates them. Patsy always wonders why glass partitions are necessary at the embassy. It’s not like it’s a bank where there are vaults of cash. And even with banks one can just walk in and sit down with an associate. But then again, the desperation contained within the stiff grins and the too-tight metal clasps and neckties worn by the visa hopefuls might get out with a force hurling them over tables and onto the legs of the American interviewers like dogs in heat. “Please, sah. Please, madam. Me ah beg yuh fi a visa. Me pickney dem haffi eat. We have nothing out ’ere. Di government nuh like poor people.”
“Tell me your occupation,” the interviewer says to Patsy, silencing the bloodcurdling cries of desperation in her head. He’s looking down at Patsy’s documents. Or he might be reading a script. She’s not sure. She would have thought any other person who fails to raise his head in greeting impolite.
Patsy clears her throat. “I’m a civil servant, sah. A secretary at di Ministry.”